october thirtyfirst

HAVING THE RIGHT ATTITUDE

When it comes to securing a foothold in the modelling industry, the truth is that having the wrong attitude, or worse still, a bad one, can old you back even more than a dodgy runway walk.

If you’re interested in being a model, let alone a successful one like Arlenis Sosa (pictured), it’s easy to overlook this aspect of Modelling 101. We’re told with some regularity about the physical requirements the modelling industry demand of its new recruits.

Height, good proportions and photographable features all play their part in getting you signed, but paying attention to what you bring to the mix will mean the difference in getting hired and getting left behind.

Modelling is all about perseverance, but patience, discipline and self-confidence are the qualities that can turn your career into the stuff that dreams are made of. Modelling is for tough cookies, and if you’re not fully equipped to deal with the rejections that come with the territory, the climb to success will be made that much longer.

Patience

You’ve all heard that patience is a virtue, but nowhere is this more applicable than in the modelling industry.

Having ambition – and plenty of it – is certainly no crime, but it is important to realise that there’s no such thing as an overnight sensation in modelling. Fashion moves fast, but the process by which a newcomer becomes established is somewhat slower.

Think about your favourite models and research their back stories. The one thing they have in common is that virtually all of them started their careers from humble beginnings, and that’s no bad thing. Learning the ropes in a smaller, less pressurised environment can often be the making of a model’s career. Getting to be comfortable in front of a camera or walking down a runway takes time, no matter how much of a knack you might have for posing and strutting. It all takes time to learn the basics, and once you’ve mastered those, doing the trickier stuff will seem that little bit easier.

When working on the smaller jobs, it’s crucial to treat every booking with the same elation you’d normally reserve for Italian Vogue. Treat every assignment – and client- with respect because that’s how one booking leads to two, and two lead to four, and you get the picture. If you’re a delight to work with, word will spread. The world of modelling is smaller than you think, and people do talk. Do yourself a favour, and wow every client because great things can come from those humble bookings.

Ambition is a great tool to have: knowing where you want to be in five years is brilliant for keeping you focused, but if it gets in the way of how you perform in the here and now, you may have a problem. Reel it in a little, apply some smile and charm, and watch those bookings roll in.

Self-confidence

This may seem like an obvious point, but bear with me on this one. Being self-confident is pretty much a non-negotiable when starting out. You may not be convinced your walk rivals Carmen Kass, but having a solid grounding in the basics of projecting self-confidence is a must.

Head up, shoulders back: if you walk into a casting and get a case of wobbly knees, faking good confidence really does work. Look at how a confident person walks and stands: good posture, relaxed shoulders and plenty of eye contact. Making that first impression only takes seconds, so if you have to, grit your teeth and go for the Oscar in pretending to be self-confident, because it’s worth it.

If you find the call of the wobbly knees too much to ignore, however, just switch off that inner voice that tells you you’re never going to get this booking in a million years, and pay attention to what’s going on around you. If you’re asked to show your portfolio to a client, being able to have something to say (eg: a favourite photo, why you liked working with that photographer), will fill that awkward void. Listen and participate: if a client wants you to walk and you’re not sure what type of walk they want, don’t be afraid to ask. Asking questions isn’t a sign of weakness – far from it. It will show that you’re paying attention to what’s going on around you. Also when you’re paying attention, your quaking knees soon get forgotten. See how that works?

Projecting confidence is crucial. Don’t listen to that little voice in your head: if you’ve booked a casting, let alone a job, you’re there for a reason. You’re in with a shot and it’s up to you to make the most of it. Rejection will happen, of course, it does to everyone. You may receive knock-backs for jobs you thought you were perfect for, and by the same token, you could get booked for a job you assumed you’d never get. The key to accepting rejection is to not see it as a personal slight against you. Casting directors often have very specific criteria and you may meet 10% of the brief, or 90%. If it’s not 100%, it’s unlikely you’re getting the job. It seems unfair, but it shows that rejection boils down to box-ticking rather than your hair being the ‘wrong’ colour. There is no ‘right look’ in modelling anymore: don’t fall into the trap of thinking that your failure to scoop a job is because you don’t fit in. Modelling is a game of numbers: if you have what it takes, sooner or later, you’ll find yourself at the right casting at the right time.

Discipline

Not the most thrilling of topics, but discipline is probably the most important quality a model can possess. Those who succeed don’t do so through random flashes of brilliance; they win contracts and editorials because of consistency. Again, not a word that gets the pulse racing, but in a business where time is money, being reliable is music to a client’s ears. They want someone who turns up on time, ready to work. Someone who turns up late, bleary-eyed, grumpy and none too co-operative will not get a second chance with that particular client.

Modelling can often involve long hours (unsociable too: some of the best light for outdoor shoots is at the crack of dawn). To survive travelling, long demanding shoots and endless go-sees requires you to be in peak physical and psychological condition. To get to the top, some sacrifices have to be made. Foregoing a wild night out before a major casting or shoot = good idea. Getting wasted and hoping breath mints and Touche Eclat will hide the evidence? Not so good.

The first mantra a model learns is to be on time. If you know you’re someone who always arrives 10 minutes late, adjust your watch back 15 minutes and go by that. Being constantly late isn’t cute when you’re representing not only yourself but your agency. If you’re going to unfamiliar locations, get yourself a smart phone and download navigation applications. Make that first impression a good one, by respecting that the client’s time is precious.

If you’re lucky enough to become a little more established in the industry, don’t fall into the trap of becoming complacent. Top model Kate Moss nearly lost her entire career when her partying became a problem. As big a name as Kate was, winning back clients still took her a long time, because restoring a damaged reputation is a lot harder than building a good one.

Discipline, however dry it sounds, is probably the thing that separates a good model from a great one. If you’re serious about not only making it in modelling but sticking around, this is the quality it pays to master. Don’t be fooled into thinking that modelling is the soft option: it may take discipline to make it to the top, but it takes even more to stay there.

HELEN TOPE

holy

I like the whole holey-white-T-look with the beanie

My Weekend Crush

As the incomparable Mercedes Jones, Amber Riley brings her locomotive of a voice to our living rooms each week. Instantly sassy, irresistibly brassy, her Mercedes is a talent who refuses to play second fiddle, even when that’s all-too frequently the role thrust upon her. She said it herself: “I’m Beyonce. I ain’t no Kelly Rowland.” What Riley brings to Mercedes, besides those ridiculously perfect pipes, is a refreshing burst of confidence. On “Glee,” her presence speaks volumes without even using her voice. On a stage filled almost exclusively with slim starlets and six-packing studs, Riley is more of an everyteen (though in real life she is the crush-appropriate age of 24).

Her size became a subplot for a millisecond last season, but it does not define her. Instead Riley’s Mercedes is known for her confidence, strength, loyalty and – of course – that voice. I know this will be sacrilege to some, but I really loved her rendition of “Sweet Transvestite” in this week’s “Rocky Horror Glee Show” episode. Yes, it was silly they changed “transsexual Transylvania” to “sensational Transylvania.” No, she isn’t Tim Curry. But, lord, who is? Instead she gave it her own sexy stamp. Bonus points for using Brittany and Santana as backup dancers. I don’t know about you, but watching all three of them dance together is definitely good for relieving my tension. Happy weekend and Halloween, all.

spooky

Halloween 2009

lanterns n lights

fallish

Bite Me

I have a thing for vampires, this is no secret. The fangs, the biting, the immortality. That’s one sexy combo. It helps that lady vampires are being portrayed right now on screen – both big and small – by some very attractive actresses. So with Halloween approaching, I thought we’d pay tribute to these toothsome talents. But why mindlessly ogle when you can make it a cutthroat competition? Let’s sink our teeth into the beautiful bloodsuckers from the three biggest vampire series out currently (“True Blood,” “The Vampire Diaries” and the “Twilight” saga) and see which group tastes the best.

TRUE BLOOD

PamHot, blonde and into chicks.

Sophie-AnneHot, ginger and into chicks.

JessicaHot, ginger and not into chicks, but I would happily spend an eternity trying to convert her.

THE VAMPIRE DIARIES

KatherineEvil, but has a good doppelganger so, you know, kind of the best of both worlds.

CarolineI like her so much better as a vampire than a human, is that wrong?

IsobelWe all knew Jenny Schecter was a vampire already, this is just more upfront about it.

TWILIGHT

Esme and Alice CullenDoes the fact that they’re not really mother and daughter makes it any less creepy that I think they make a nice looking couple? OK, still no.

RosalieI’m just going to say it, I don’t like Nikki Reed as a blonde.

JaneDoes the fact that her character is, like, 1,000 years old make it any less creepy that she is actually 16? OK, still no.

So, which lady vamps do it for you? Who sucks the least, figuratively? Or the most, literally? Yes, I know I went there with all the bad puns. Bite me.

Fat and Happy

Opinions are like assholes, or so the saying goes. So it only follows that many assholes have opinions. But you are still taken aback, way aback, when an asshole is such an asshole about her opinions. Like, for instance, the Marie Claire blogger who posted her thoughts on the new CBS sitcom “Mike & Molly.”

Let me break down the essence of her post for you:

HEY FATTIES, EAT SOME UNPROCESSED FOOD AND GET OFF YOUR BIG ASSES. ALSO, STOP KISSING. GROSS.

And I’m not even really paraphrasing there. This is what was actually written.

My initial response was: Hmm, being overweight is one thing — those people are downright obese! And while I think our country’s obsession with physical perfection is unhealthy, I also think it’s at least equally crazy, albeit in the other direction, to be implicitly promoting obesity! ….

So anyway, yes, I think I’d be grossed out if I had to watch two characters with rolls and rolls of fat kissing each other ... because I’d be grossed out if I had to watch them doing anything. To be brutally honest, even in real life, I find it aesthetically displeasing to watch a very, very fat person simply walk across a room. ….

I’m happy to give you some nutrition and fitness suggestions if you need them — but long story short, eat more fresh and unprocessed foods, read labels and avoid foods with any kind of processed sweetener in them whether it’s cane sugar or high fructose corn syrup, increase the amount of fiber you’re getting, get some kind of exercise for 30 minutes at least five times a week, and do everything you can to stand up more — even while using your computer — and walk more.

(p.s. That last sentence is 84 – EIGHTY FOUR – words long. How about learning how to slim down your writing instead, lady?)

WHAT THE FUCKITY FUCK WAS THAT FUCKING SHIT?

The post has made the rounds, been roundly criticized and, by my rough estimate, garnered some 6 gazillion very unhappy replies in the comments section. The writer has apologized, said the post was an insensitive, thoughtless reaction to her own struggles with anorexia. Blah blah blah. That may well be true. While we should be rightfully furious with its writer (a Maura Kelly – who has been published in The New York Times, The Washington Post and Glamour, among others. Also, she loves peanut butter!), we should also see this as a symptom of a larger, more insidious disease we have as a society. This Maura person articulated it almost perfectly.

In our society, we think to be loved you have to look a certain way. If you don’t look that certain way you are unworthy, unhealthy, unhappy, undeserving. If you don’t look a certain way you shouldn’t kiss, find love, walk across a room. If you don’t look a certain way you should be ashamed, disgusted and hate ever fiber of your big, ugly, repulsive body.

What a colossal load of unrelenting horse shit.

Without getting into the flat-out fallacies of Maura Kelly’s argument (all weight can be managed through diet and exercise, etc.), let’s talk about her piece’s casual yet calculated cruelty. It’s a cruelty that permeates our society. It’s fed by the fashion and beauty industries. It’s fed by Photoshopping the already beautiful into impossible beauty. It’s fed by almost every image we see projected and plastered everywhere. This is how you should look, if you don’t look like this how could you possibly be happy? An entire body-shaming industrial complex profits from our continued misery.

It shouldn’t be a radical statement to say that we are all humans and that we all deserve happiness no matter our size, race, sexual orientation, disabilities, whathaveyou. Yet here we are, in the year 2010, and some people are still saying how gross it is that two fatties have the audacity to actually kiss. How dare they be happy, don’t they know?

Treating all people with basic human decency and respect, now that’s fucking beautiful.

Tank Top Tuesday

Sometimes, when putting together Tank Top Tuesday posts, I struggle to find a theme. Sporty shots. Black and white shots. Candid shots. Fancy shots. Shoddy shots. But then sometimes I look at my pictures and realize, honey, you’re really over thinking it. Hotties + Tank Tops = No Additional Explanation Required. In other words, as you can see from Salma Hayek above, I picked these pictures today because they’re hot. You’re welcome. Now go have a nice Tuesday.

Tricia HelferShe is going to guest star on “Lie to Me.” Jesus, Tim Roth. First Jennifer Beals now Tricia? Lucky bastard.

Diane LaneI thought about seeing “Secretariat,” but (spoiler alert) I already know the horse wins. So, um, where’s the suspense in that?

Liv TylerI know a lot of people look at her and see an elf queen, but I’ll always see that gal who cavorted with Alicia Silverstone.

Kate HudsonProof that every gal looks great with suspenders and a belt chain. Even gals who only really ever made one good movie. (“Almost Famous,” duh.)

Amber HeardSpeaking of good movies, boy, “Drive Angry” does not look like one. But, um, Amber is still pretty – and in 3D.

Emily HainesI want Emily to dance around in sparkly shirts and fierce boots while filling my heart with joy forever and ever. And if that sparkly top happens to be a tank top, all the better.

Debbie HarryDebbie doesn’t need to dance around to fill my heart with joy forever and ever. Those cheekbones are more than enough.

Angie HarmonSo much is happening here. A plane. A headset. All that cleavage. I have no idea where this is from. I am completely OK with that. (p.s. You’re reading the Rizzoli & Isles Retro Subtext Recaps, right? Right.)

See, best not to over think things.

SGALGG: The Revenge

You know what I like? I like it when women who break up with guys who then immediately start dating women 20 years younger their junior find a way to still show up their exes in spectacular fashion. So when Elisabeth Moss and Fred Armisen got divorced earlier this year, and then he started to date his 23-year-old “Saturday Night Live” co-star Abby Elliott (he is 43, by the way), I thought, “Bring it, Elisabeth.” Granted, Elisabeth is only 5 years older than Abby, but her ex still managed to trade younger. Well, consider it brought. Besides her continued “Mad Men” success, Elisabeth is set to make her London stage debut next year. Opposite Keira Knightley. Who she falls in love with. In a revival of “The Children’s Hour.” Hmm, getting lesbionic with Keira night after night in front of a live audience? That’ll do it.

So, I could quibble about the play itself. Really, must we revive the lesbian love ends in tragedy and despair thing again? But the casting is amazing and the story while sad is well told. So bully for them. Of course, this role will require research. So let me offer these helpful, Straight Gals Acting Like Gay Gals-y acting tips to Elisabeth to prepare for her West End debut.

Hang out with fake gay ladies.Though you might want to take Joyce up on her offer next time, for practice.

Hang out with real gay ladies.Tell her you like vampires, gay ladies love vampires.

Dress like a gay lady.You know the cop contingent is your favorite float at the Pride Parade.

SGALGG at every opportunity.Erika Christensen looks more than happy to help.

Hey, but no SGALGGing with Tina.Sorry, she’s mine.

Become part of a lesbian ship.Do they have a portmanteau yet?

Become the ham in a very pretty sandwich.That’s the kind of bread you really want to butter.

Add a different kinds of Hamm.I mean, come on, even lesbians like a little Jon Hamm.

Look ridiculously hot.So random women everywhere are forced to go, “DAMN, GIRL.”

When all else fails…

…just keep getting licked.

Never mind the Stanislavski Method, this is the SGALGG Method.

book worm